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Choir Fam Podcast

Choir Fam Podcast

Veröffentlicht: 2026-03-19
© 2026 Choir Fam Podcast
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162 Folgen
Audio
Anhören auf Apple Podcasts
162 Folgen
Audio
Anhören auf Apple Podcasts
Veröffentlicht: 2026-03-19
© 2026 Choir Fam Podcast
Aktuelle Folge
Ep. 150 - Encouraging Singer Ownership in the Rehearsal Process - Grant Gershon

Ep. 150 - Encouraging Singer Ownership in the Rehearsal Process - Grant Gershon

“It’s not until you’re leading an ensemble that you really figure out how to make the music happen and how to motivate the people around you. It’s humbling in a lot of ways, and it’s so gratifying. As a conductor, you’re providing the framew
Länge: 52:12
“It’s not until you’re leading an ensemble that you really figure out how to make the music happen and how to motivate the people around you. It’s humbling in a lot of ways, and it’s so gratifying. As a conductor, you’re providing the framework for musicians to do their best work. Both in the way that you structure rehearsal and the gestures that you are showing the music through, you’re creating a scaffolding, inviting people in, and collaborating together. Ideally, you’re creating a situation where everybody has ownership of the musical process and the musical result as well.”
Grant Gershon currently celebrates his 25th season as the Kiki and David Gindler Artistic Director of the Los Angeles Master Chorale, which he has turned into the "best-by-far major chorus in America” (Los Angeles Times). Earlier in 2026, Grant and the Chorale were honored to receive their second Grammy™ Award for Best Choral Performance, and they have been nominated 3 times in the last 5 years in this category. In 2025 the Chorale was featured on the Academy Awards ceremony, broadcast to over 19 million viewers around the world.
A champion of new music, Grant led the world premiere of John Adams’ Girls of the Golden West at the San Francisco Opera. He also conducted its European premier at the Dutch National Opera. As Resident Conductor of LA Opera, Grant conducted the West Coast premiere of Philip Glass’s Satyagraha, and he led the world premiere of Daniel Catán’s Il Postino, subsequently released on Sony Classical Records.
Among the highpoints of his tenure with the LA Master Chorale, he twice opened the famed Salzburg Festival—with Orlando di Lasso’s Lagrime di San Pietro in 2019 and Heinrich Schütz’ Music to Accompany a Departure in 2023. He and the Chorale also performed these works to enormous acclaim in London, Paris, Montreal, Toronto, Chicago and New Zealand.
Grant’s discography with the Chorale includes recordings of music by Billy Childs, Nico Muhly, Henrik Gorecki, David Lang, and Steve Reich. He has also led the Chorale in performances for motion picture soundtracks, including, at the request of John Williams, Star Wars: The Last Jedi and The Rise of Skywalker.
In New York, Grant has appeared at Carnegie Hall, Alice Tully Hall and Trinity Wall Street. Other major appearances include performances at the Ravinia, Aspen, Edinburgh, Helsinki, Salzburg, and Vienna festivals; Teatro Colon in Buenos Aries, the Barbican in London and the Paris Philharmonie. He has worked closely with numerous legendary conductors, including Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Zubin Mehta, Simon Rattle, and his mentor, Esa-Pekka Salonen.
To get in touch with Grant, you can email him at ggershon@lamasterchorale.org or find him on Instagram (@the_gershmeister).
Email choirfampodcast@gmail.com to contact our hosts.
Podcast music from Podcast.co
Photo in episode artwork by Trace Hudson
Folgen-ID: 1000756163837
GUID: Buzzsprout-18836598
Erscheinungs­datum: 19.3.2026, 17:00:00

Beschreibung

The Choir Fam Podcast is a venue for conversations about the current state of choral music. Hosts Dean Luethi and Matthew Myers seek to bring the worldwide choral community closer together through their discussions with a variety of guests who work with choir in its various forms. The goal of the podcast is to provide listeners with interesting tidbits of knowledge they could use in day-to-day choral rehearsals and to bring light to the ways that issues in the choral field are being observed and addressed.

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